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#Universal audio plugins vs slate free#
#Universal audio plugins vs slate mac#

But what has been lacking with the modern digital studio, is the same powerful workflow as what was accomplished on tactile mixing consoles. Powerful Digital Audio Workstations have transferred the entire recording studio into a virtual environment where all elements of the studio appear conveniently on a computer screen.

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Next Post Next Wampler Launches The Pantheon – Their King of Tone Alternative Search for: Search Recent Posts Question is, though: is it a difference that is noticeable in a final mix? And is it a difference that’s worth the extra money? Categories Always Be Recording, Home Studio Gear, YouTube Tags Apollo 8, Apollo 8p, Seen Elsewhere, Slate Digital, UAD, Universal Audio, VRS8 I’m a big fan, and a big believer that part of the organicness of a recorded tone comes from the interaction of the electrical circuit. The difference? The extra Unison preamps, which model the electrical behaviour of whatever outboard gear you’re simulating. Thing is, if I’m going to use all 8 preamps, I’d want the Apollo 8p, not the Apollo 8.

#Universal audio plugins vs slate mac#

And your Mac will be able to run far more plugins at once than the quad-DSPs of the Apollo 8.

(The equivalent UAD Ultimate Bundle is currently over £2,300 and doesn’t include all of the plugins). For pretty much the same price as the Apollo 8 Quad, you get 8 preamps and a year’s access to the Everything Bundle. That said, the Slate Digital VRS looks really interesting. I don’t want a (rare!) creative day ruined because of a broadband outage.

I live in the UK, where our broadband is about as reliable as a Trump tweet or a Brexit promise.

#Universal audio plugins vs slate free#

Where the hell do you find a free port to plug the iLok into these days?!? One port is taken up by power, one by the external storage that the session is on, one by your audio interface, and one by your external monitor. Now Slate Digital has its own serious problem to take into account. And if you’re a home studio enthusiast, it’s a lot of money to move from the Apollo Twin up to the Apollo 8.Įnough money to consider looking at switching to something else. It doesn’t take many plugins to max out the available hardware. The Apollo hardware is simply underpowered. There’s just one problem, and it’s the reason why I haven’t bought any UAD plugins this year. The results are fantastic, and not only well worth the money, but also far cheaper than buying (and maintaining!) the real outboard gear. You have to buy these plugins separately, and they cost hundreds of pounds each. The UAD system relies on DSP chips in the Apollo hardware to run emulations of analog outboard gear. Slate Digital has launched the VRS8, their 8×8 recording interface for Thunderbolt-equipped Macs.įor home studio enthusiasts who want pro-level gear, there’s really only three ways to do it: Universal Audio Apollo, Slate Digital VRS and the Everything Bundle … or buy a standalone interface and collect your own plugins from lots of different vendors.